Hong Kong Cinema: Coloniser, Motherland and Self

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Society, Politics & Philosophy - Anthropology
Hong Kong Cinema: Coloniser, Motherland...

Hong Kong Cinema: Coloniser, Motherland and Self

Name: Hong Kong Cinema: Coloniser, Motherland and Self
ISBN: 9780700717460

Yingchi Chu

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Examining Hong Kong cinema from its inception in 1913 to the end of the colonial era, this work explains the key areas of production, market, film products and critical traditions. Hong Kong Cinema considers the different political formations of Hong Kong's culture as seen through the cinema, and deals with the historical, political, economic and cultural relations between Hong Kong cinema and other Chinese film industries on the mainland, as well as in Taiwan and South-East Asia. Discussion covers the concept of 'national cinema' in the context of Hong Kong's status as a quasi-nation with strong links to both the 'motherland' (China) and the 'coloniser' (Britain), and also argues that Hong Kong cinema is a national cinema only in an incomplete and ambiguous sense.

Категории:

Society, Politics & Philosophy - Anthropology

Год:

2002

Издание:

1st

Язык:

english

Страницы:

208

ISBN 10:

0203297369